Walked straight past the Captain's Rest, seeking out a free cash machine, the one outside the Shell/Sainsburys was nearest, but even then one of the buttons was broken, and we all got a free recipt.
Meanwhile at the venue, Adam's fretting. The downside of having half a dozen bands playing in a venue this size is that there's not quite enough room for paying customers, like myself. More significantly, this is the launch night for The Littlest Album 3. Twelve songs, under a minute long, by twelve bands, all on one 7" vinyl record, still at the pressing plant about 400 miles away.
What is this glitchy noodly pish? Some quiet looking chap sat with his guitar plugged into a laptop. Hmm, I recognise this 200Hz sine wave, and despite the chap's enthusiastic smiling, its still pish. He did apologise to the audience, mind.
Bah, who am I trying to kid? I was listening to The KLF's seminal 1990 ambiant album, Chill Out earlier today and it sounds very much like this chap is just doing his own live remix. Live!! On Stage!!! For One Night Only!!
Plimptons slowly make their way to the stage, in dribs and drabs, painfully slowly, but the rest of the audience don't mind, it just lowers the bar I guess.
They start with Ocean Colour Ressurrection, a 90's/60's Britpop pastiche, tonight possibly missing several instruments and microphones due to them not being plugged in. This is why bands usually have soundchecks.
"I quite enjoyed it, I found it an exhilarating experience"
I dream that not just one day, Adam will remember to hold his microphone to his mouth when his singles and actually verbalise every line, but will do it every single time he's on stage.
"Aw, don't ask me man, I've seen the 10 times this year"
Playing Impulse Records, their Pulp-ish song at 3 time normal speed could have been a stroke of genius.
"It was good... brief..."
Les Enfant Bastards, a three piece tonight with Rowan Plimpton on drums, a cello and male singer with guitar and harmonica. Sounded like a male Joanan Newsom, maybe even like like Hefner, one of the band's top influences.
"I quite enjoyed it, found it an exhilarating experience.
Next up were the Just Joans, the audeince are drunk, and not so much restless, but they've been there for ages, and you know, things and stuff. Rowan's back on stage, playing drunks for the third band of the night and the fourth band of the past twenty four hours, (Tibi Lubin last night apparently).
Shame the crowd were talking loudly all through, these things happen, its a risk you take playing gentle quiet music about Motherwell.
"Do you think the Just Joans were putting on an accent?"
Row's drumming seemed to... slow it down a little, or maybe, it just punctuated the song, in a funny way.
Holly and her crew arrived in time to catch The Just Joans's final song.
A bit of a tragedy unfolds as the final act of the evening, Alex Botten, of Thee Moths, Catface, Lipsick! and other, plays just a one minute set, a rendition of his track on the Littlest Album.
Adam assures me the records should be available at the next album launch night, next weekend at the 13th Note. I hope so.