Showing posts with label Wednesday. Show all posts
Showing posts with label Wednesday. Show all posts

Thursday, 16 July 2009

WeePOP: Colin Clary - Buffalo Bar

Like a Tickle-me-Elmo with a guitar, this evening with part-time Elvis mutton-chops and the earnest dial cranked up to eleven.

Colin Clary is a jolly chap, the venue's quiet, its late and people are drifting home tired but spirits are high, and the few who remain are enthusiastic fans.

His set this evening involves lots of tuning up the guitar, and tweaking his wee practise amp, needlessly I'd say, but I am tone deaf.

Actually it is a little tinny and hurts my ears, sorry, I should have said.

Its very cutesy music, twee, but in a slightly different axis to the twee of the Bobby McGees, like you wouldn't see Colin wearing face paints and throwing paper aeroplanes to the crowd. Maybe its just Americanism.

Ooh, I love the solo version of Sapphire that he treats us to, a chap in the crowd videoed it so that'll be a treat for later.

WeePOP: Secret Charisma - Buffalo Bar

A chap on his own, centre stage with his head at a jaunty angle playing a cow-print ukulele, Secret Charisma.

He plays a number of songs from a self-penned rock opera. I gather the story's about a guy who jacks in his job and goes travelling looking up old friends.

Aw man, its the guy from One Happy Island. Oh, he was anecdoting and mentioned Orange Nicole, I saw her earlier this year, she was all right.

For the last song he drags on stage Colin Clary and another quarter of One Happy Island, for a jaunty little number.

WeePOP: Ich Bin Finn - Buffalo Bar

They're an odd looking bunch, Ich Bin Finn. Tonight without their drummer and so are playing an acoustic set.

Acoustic bass, acoustic guitar, ukulele and occasional harmonica, two singing girls.

Folksy, hella set of lungs, London twang, a bit Kate Nash in a leopard print dress, and shaved bits in her hair, a somewhat rockabilly look perhaps. "I'm not in a band and I'm not from Harrow" she cries in the song Delusions of Grandeur, I don't think that's quite accurate.

A little bit shambolic, giggling and corpsing during songs but having a whale of a time at it.

WeePOP: The Sunny Street - Buffalo Bar

Hang on, are The Sunny Street the same band as Electrophonvintage? They've got like the same members, well, no drummer, but a backing track with drums and synth and the girl does most of the singing and the singing chap stands at the back.

It would be nice to have songs in French. The girl singing sounds like Sarah Cracknell tonight, my attractive young ladyfriend notes that she's wearing a retro early nineties tight black lacy mini-dress.

Sounds a bit boomy where we're sat at the back. The vocals low in the mix. Could just be cos of the acoustics, and if we stood up and moved forward it would sound better, but its comfy here.

Its gets lovely and shoe-gazery towards the end, I liked Ian's lead bass guitar, that was neat.

Thursday, 8 January 2009

Darren Hayman and the Secondary Modern - The Luminaire

Ooh, its one of those gigs, Andy from Pocketbooks is here with Nat, and Alice from Arthur and Martha, behind me is Enid Coleslaw and off to the left is my favourite particle physicist.

On stage is Dazza and four members of the Secondary Modern. Some stonking work on the fiddle and spazzing out on guitar.

I've had one or two pints and ma heid is drifting away from the task in hand. Is this to be Darren Hayman's gift to me, not the music or the sound, but the power of time travel. To lose myself in memories?
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For more on what they sounded like please refer to previous Darren Haymen reviews here. A couple of Hefner songs, b-sides and a-sides alike, keep the crowd on fire

Sent using BlackBerry® from Orange

Wednesday, 7 January 2009

The Wave Pictures - The Luminaire

Missed the first song or two, nattering outside in the cold.

Storming rock n roll, with arch nasal vocals like Suede or Kingmaker or something.

Ooh, uncle El Presidente from Fortuna Pop is here, and I think I spy the ladies from Twee As Fuck.

Reverb-rich American FM guitar solos from the wagon train, with extra noodles.

Songs for the people who had a bad Christmas, stressing its not a 'fuck you' to those who had a good Christmas.
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Maybe tones of Hefner in the style of the songs. Aw man, that's not right, who do they sound like.

Chap stood nearby in a flatcap, looks like Dennis Pennis.

Is it wrong to like the drummer's singing a little more than the guitarist singing? Or it could just be my ears prefer the lack of drums.

On-stage banter comes across as a bt smug to me, but witty so that makes it okay.

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The Loves - The Luminaire

Aw man, I think I've arrived at the venue. The only people here are from the bands or young John Lennon from The Beatles who is working on the bar tonight.

I've recently started going out with a girl from another planet, like she's not off of Bowlie or from the indiescene or anything. With her, everything is new and exciting, the gigs she goes to the people she knows, its all out of my sphere.

So here I am to see The Loves once more, how many times have I seen them, how long have I been a fan? Crikey, I wrote them into my novel Shag Times about eight years ago, and still I follow them. Likewise tonight's headliner Darren Hayman, regulars to this blog will have followed me following him for years. This is the sort of gig I go to.

Its really cold in here, but the place is starting to fill up.

I'm quite like the Flight of the Concords's fan, but I guess I'm near the line.

They're looking very dapper tonight, all suits and cleanly shaven. They're playing tighter than usual too.
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Same songs as the other month when they played the Buffalo. All on fire from last night's 6Music session.

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Sunday, 21 September 2008

March of Dimes - The Pangea Project


Monkeysphere, the theoretical maximum number of people you can have in a human tribe before it gets too big, fights break out between strangers and the tribe splits into two. Its about 120 or 150 people, about the same size as normal friends lists on Facebook, actual friends lists rather than everyone you've ever known and have ever heard of you.

So there was a wee series of status updates on Facebook: Sean is in a band, Sean has a gig, Sean has a gig in London. Sean's a chap I knew at university a decade ago, quite an excited bouncy chap, part of the RAG / student charity scene.

He's been recruited to play bass for March of Dimes, a nad from Leeds who've been kicking about for eighteen months of so. They have an album, All Intents and Purposes.

They're a bit of a five piece, two guitars, bass, drums, keyboard/organ and singing bloke with girl and boy backing vocals.

At first they sounded a bit like the Americana of My Sad Captains, then moving on to the stark instrumentation of Butcher Boy. But with some killer guitar noodling.

Foxes and Convicts is my favourite song, and the live version of Lindbergh's Baby has the finest guitar I've heard in a while. Have a listen on their MySpace page.

MySpace
Last.fm

Thursday, 24 July 2008

Pocketbooks, The Zebras, Airport Girl - Buffalo Bar

So I toddled along to the Buffalo bar, say hi to Andy and Dan from Pocketbooks, I used to has teh fear of saying hi to people in bands, cos seeing them play live six times isn't the same as actually knowing them, compare and contrast with Idlewild who I saw 16 times in 1998 and wouldn't.

Suddenly Pav from Twee A Fuck wanders out of the Buffalo and says hi. Aw man, I never got round to finishing that review of the Twee As Fuck alldayer.

So I descend into the depths of the Buffalo Bar, spot Camila from weePop, and lounge at the bar for a bit drinking Tyger. MJ Hibbett wanders over, he's jolly excited about his Exciting Life in Rock show, I'm quite excited too, it should be fun on the Friday at Indietracks, but will I make it to Edinburgh to see the proper show in its native Fringe environment?

Before long, the first band take to the stage.
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Pocketbooks
I like Pocketbook, I've seen them lots of times, they're in my top ten bands I've seen most often in the past two years, and now I can say hi to them and make small talk without feeling the urge to run away, hide in the toilets sobbing to myself, this you already knew, but have you considered the effect this has on my ability to review them honestly? It could be awkward.

I liked the older songs they played, and the new songs, which were possibly having their first publis airing, they sounded alright, they'll be great after a few plays to get ingrained in ma heid.

Ian the guitarist has new effects pedals, one of them was a chorus pedal, not sure what the other was, but it sounded great.

They were playing to a crowd of very attentive folk who I've seen at gigs before. Not like the second band on, for whom the crowd swelled with lots and lots of people, some with curious accents.
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The Zebras
One of the most American sounding Australian bands

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Airport Girl
I saw this youtube video the other day, and now, it could just be confirmation bias, but I can spot Pachelbel's Canon in D a mile away, Airport Girl's first song, aye.

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The Airportettes
More women on stage

Wednesday, 11 June 2008

Carlotti, The Getaways, The Pretty Suspects, The Black Lies - Catch

Left the house fucking furious, the anger and passion in my veins, it would shade Steppenwolf and Heathcliff both. I can't escape from whatever feelings, emotions and memories are in my head, I can only distract myself.

Three possible gigs tonight, Tasty Fanzine at The Good Ship, The Gresham Flyers at The Buffalo and The Getaways at Catch. Of the fist, I'm not sure of the connection with Tastyzine, but despite the gig being walking distance, I don't want to endorse that product, of the second, there is no way on earth being there tonight could ever improve my mood.

Wondering about how the 42 day vote went in parliament today, and why are terrorists special. What about psychopaths and serial killers, folk who really enjoy murdering people, acting on their own , they could claim a higher death toll, are they exempt from being held for 42 days without charge? What if they really like killing people.

Christ, my hands shaking almost too much to write.

Only one viable option for tonight, The Getaways. How did they even get on my radar? Last.fm barely registers them. The internet has them playing lots of gigs, but only two songs on their myspace page, none for download. I'd doubt their very existance if not for Jaz's review.

Hey, anything to take my mind away from what's rattling my nerves.

Gah, racing out of Old Street underground, almost crashed into my first girlfriend from ten years ago, my first heartbreak. Eye contact, shock and I sprinted away.

Doors had just opened when I arrived, its quiet and the guiness I asked for looked like no guinness ever should, black straight from the tap and no visible head. I suspect this is the sort of London bands gig that MJ Hibbett was talking about last night.

Crikey, every girl in the venue has exactly the same accent.

Its an hour after the advertised doors time and nowt is doing yet. Nearby there's a girl with a BBC branded tape recorder and mic. What the hell do I have to do for my MacGuffin?

Carlotti on first, a five piece, Keamy from Lost is the lead guitarist and singer, Pete Townsend or Wee Patrick on rhythm guitar, Count Fuckular from Extras on bass, keyboard player and drummer tucked away. Rather fine mod blues, Joe Kane and The Getset Go would appreciate. They really kicked into high gear halfway through with the epic 'Faceless Angels', scaling Mansun-like heights, and I could barely believe my eyes when the Keamy pulled out a mandolin for their last song.
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I never saw Nathan Barley, but there are people here dressed up kind of funny, weird hair and stripey tops. Who actually won the art school wars of the mid-decade.

You know when you meet a really angry guy in the pub, but you realise he's not really angry, just dead enthusiastic, then later you find yourself next to him in a stolen car, ram-raiding an out of town Marks n Spencers cos you'd mentioned your gran needed new clothes, The Getaways would be playing on the radio.
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Rhythm guitarist looks like he only narrowly missed getting into the Bejing Olympics rowing team, there's always London 2012.

They were more rhythmy than the first band, sounded a little like Northern Uproar, the leery harmonies and swaggery guitar.

Towards the end a baldy bloke jumped on stage, waving a fist in the air and singing along before smashing pint glass into the space in front of the stage.

A little honesty here perhaps, there's about half as many people were for The Getaways than for Carlotti. Cuter dancing girls by the side of the stage, mind.

The Pretty Suspects singer looks more like the chap from The Mighty Boosh than the guy last night. Snarly John Lydon Sex Pistols vocals but with more New York / New Wave soaring guitars. It was more a like a party than a fight, especially when yer man leaps into the crowd with his microphone.
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The crowd at the front seems shorter and there's a little too much mincing to the cameras for my tastes.

On last are The Black Lies. All leather jackets and white T-shirt and too fucking derivative. Maybe just a fraction more derivative than the rest of the evening's bands, but in the space in front of the stage there are two guys dancing, making shapes for real, but the sort of dancing I do when I'm taking the piss.
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The crowd look the oldest I've seen all night. It's weird the way the crowd varies over the course of the evening, different folk for different bands.

Black Lies look like this band we supported once at Glasgow Cally, I can't for the like of me remember their name, but they went on to the success of having their album reviewed in Q magazine.

Bands
Carlotti
The Getaways
The Pretty Suspects
The Black Lies

Thursday, 24 January 2008

Cuckoo's Nest, Kaputt, Abi Makes Music - The Good Ship

Hell of a day at work, work's okay if its a proper job, but today there was tons of legwork and I got home knackered, fell asleep as soon as I got in, until the pressure on my bladder or hunger got too much, then spent hours trying to surf the internet to find the tide had gone out and was nothing left online. Except for a dark and sinister mob emailing each other about my other websites whenever I clicked refresh on statcounter.

Hibbett speaks:-
You might think your time's spent better
Doing "research" in your room
But you are not Mr Fantastic, you're Doctor Doom

I've never been a going to the pub person, if invited, sure, but usually it takes so much fucking planning. I lived miles away from my friends back in my formative years, hours on buses to the middle of nowhere and going to the pub on my own in the hope of meeting people has been a soul-crushing experience for fifteen years now.

Gigs on my own, thats less awkward, preferable even, I get to listen to the music and move about in the mosh pit without being tied to my droogi, hence the nodding recognition and curt "fine, how are you?" conversations if I see anyone I know.

So I head out at 9pm to a random gig I'd seen on Facebook. The Good Ship in Kilburn, nightmare trying to find a cash machine, but got into the show two hours after the advertised doors time, not caring if I'd missed any bands.

There was no change in the door girl's tub so I had to head to the bar before paying or stealing any of their glittering array of cupcakes, ooh cupcakes.

On stage, in Buffalo Bill's sunken pit, is a four piece, mostly wearing black, two guitars, a stack of keyboards, bass guit and drums. A healthy dose of reverb pn the vox, easy comparison to Elastica in places, possibly informed by the post-rock movement. I think the reverb became a rope round the singer's neck by the final song.

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Second act I saw was Abi Makes Music, she had her name on coloured pst it notes on the front of her keyboard.

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It was awkward pish, I've seen quirky girls doing badly written arty poetry to backing tapes before, that George Pringle bird at Twee Ass-Fuck, it took me a few songs to get into, but was ultimately pretty satisfying. Abi Makes Music, on stage tonight, not so good. The lyrics were juvenile, the music was ropey, she forgets the words, repeats verses, misses cues and forgets the order of her songs.

I feel that the current crisis in the banking would is caused by a large part cos powerful bankers are inherently greedy and evil people, not all of them mind, but just enough so that when someone suggests taking crazy risks using other people's money in order to become crazy rich, there's not enouh people in the room to say "Chaps, you ought not to do that", general the majority of people in the room say "Fucken aye, lets make shit loads of money!!"

Even more so if there's just one greedy evil banker on his own in the room, there's no one to say no. But he ought to try and think about the negative consequences of his actions.

Likewise, I can't just sag off Abi, I have to find something positive. I'll get back to you on that.

"Ooh, was that the last track on the backing tape? Oh, I'd forgotten, I only put it together last night ad I forgot what's on it, like a slut," says she.

Such misuse of the term 'slut' makes me wonder about the rest of her lyrics. Not much though, they're just shite.

Okay, the one positive thing, her keyboard playing, it was okay, and would fit as the perfect accompanyment to an amateur dramatic society's annual musical.

If she practiced a bit more.

It was quite an alienating experience really. Maybe I should fuck off home, if anyone else at the gig 'got' Abi, it's not the gig for me. Then again, the first act were okay, maybe the last band would be too.

Hmm, last band? and the first band were playing at 9:30pm, this suggests that unless that first band played a really long set, then the doors to first band time is in excess of an hour. I was tracking this in earlier gigs this year and I did a bit of research into how long people expect to wait before the band comes on by posting polls on a handful of music messageboard. My findings neatly visualised in the graph below.

Expected to actual doors to first band on time

People expect the first band to be on stage around half an hour after the doors open, but in real life its always over an hour. Whilst self-righteous indignation and frustration at promoters is knocking on my door, I think Freakonomic style reasoning ought to be used. The punters are pretty smart, I think they're already coming to the gig half an hour after the doors open, and then end up waiting half an hour until the band comes on. They don't count the first half hour, its invisible, they weren't in the venue waiting then. They only expect to wait half an hour, even though the eager beaver early doors types wait the whole hour for the first band.

Last band of the night, Cuckoo's Nest, a two piece, drummer chap and guitar/vox lady making loud dark end of the world music.
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Kind of like a dinosaur scraping at the souls of the living, there are rumbled words and yelps and neat bass work coming from that guitar. And I loved them, they made my evening. Sadly the kids who'd been dragged to the front for Abi had deserted them.

Bands
Cuckoo's Nest
Abi Makes Music
Kaputt

Thursday, 6 December 2007

Big in Japan: Gay Against You - Amersham Arms

Car radio-less, for the jorney over to New Cross I have in my head the dis-embodied voice of my mother from decads ago, warning me of the perils of going to gigs on school nights. Pah, I laugh in her face, for I went to a gig in Sheffield the other day, on a shcool night, pah again.

I enter the Amersham arms to find it full of fucking students. Not just anything fucking students, but damned Goldsmiths fucking students. I'd worn my scenester orange stripey jumper just in case, but its not match for the crowd tonight, they all look like folk for Driven By Boredom, or style magazines. Everyone looks like they're sucking in their cheeks.

All the people I know aren't here, except Gay Against You who I've seen a few times before, they're perched behind a merchy table by the door. That girl who looks like Jef in Glasgow is here and some cutie who looks like a younger Katrina House, I make eye contact and give her my winning smile, she runs. There's a girl wearing exciting eye make-up who looks really pissed off, I wondeer whether to ask her if she's an astronaut, but she vanishes before I have a chance.

Reappearing moments later as part of a three-piece cabaret act, waltzing through the audience in leotards with hula hoop rings, before conjuring a set of skipping ropes and luring unsuspecting Katrina House lookalikes to skip mid-dance floor.

The music thats been blaring out for the evening has been early nineties cheese-dance by the sound of things. A few people making shapes on the dancefloor, fucking students on E. I wonder how many retired pornstars are in the room.

Time passes and Gay Against You take to the stage.

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The have technical problems with guitar noise, but eventually get going. Launching themselves out into the audience, half of whom try to start a fight, then leave in digust. The good-time fun of GAG isn't for them.

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Eventually the crowd get into it, embracing the offered microphones to sing along and contribute their own lyrics. Joe on keyboards seems more reserved than usual, leaving most of the theatrics to Lachlann.

Gay Against You 11

Thursday, 29 November 2007

Goonite Club: Arthur and Martha, Monster Bobby, Monday Club, Brontosaurus Chorus - The Buffalo

I was house-sitting earlier this week, they had a DVD player so I was watching the complete Buffy the Vampire Slayer, 16 hours a day. They also seemed to have my Amazon wishlist of books lying round, so I read this book called Tipping Point.
Its like one of these sociological / cultural / psychology for people books. I only got through the first 60 pages, giving some clues about why some cultural phenomenons become runaway successes and others don't.

From what I gather, it usually depends on a dozen or so factors all pulling in the same direction at the same time.

There are three types of people vital in spreading new ideas. The first one mentioned is The Connector, they're charming people who know everyone in many worlds. Not necessarily close friends with everyone, but charming enough to be remembered. Close ties between 'friends' and 'weak ties' between acquaintances. When these guys get it, a bit of news spreads quickly.

I'm not very good as a 'Connector', my charmingness doesn't come easily, despite the worlds I span.

The second person type was 'The Maven', one who collects information and is good at communicating it. These would be the people who discover the cool bands who are to be the next big thing that no one knows about, or who have figured out that Facebook has jumped the shark.

I too am not so good as a Maven, I back the wrong horses.

Sadly I never found out who the third person type was.

Apparently the 'weak tie' friendships are more useful than the strong one, cos there are more of them with a greater span.

First band on are Arthur and Martha, one of them is Alice from Spiral Scratch, when my musical masterplan comes together next year, I'll need them on my side. I think that by bribery, they'll learn to love me, and sort out the damned Spiral Scratch blog. That was the plan anyway.
Arthur and Martha
But before I came out this evening, I checked my last review of of Arthur and Martha, and it turns out I liked them last time, but was sadly too drunk to be coherent.

Tonight though, I am sober.

They are the missing link between Bis and The Younger Younger 28s, and their last song sounded like Idlewild's A Tone.

This one time I saw the Younger Younger 28s at King Tuts in Glasgow, about five people in the crowd, including flatmate Nick, Joanne from Stonehaven and some broad with a notebook. The next week the gig got a rave review in the NME.

The next time I saw them was Freshers week '98 at Strathclyde Uni, I got chatting to the girls in the band, they said they were playing the next night in Edinburgh. So me and Nick duly trekked over and got chatting to them there too. For years I've claimed I snogged the cute one outside The Venue.
Monster Bobby
Monster Bobby on next, here tonight, the records show that me and Fiona thought he was pants last time, mostly due to the crap sound in Tuffnells.

Tonight though, the sound's better the place is a quarter full and there's a girl in the crowd who looks like Beautiful Laura from school.

He's the main driving force behind The Pipettes and a proto-Bill Drummond according to wikipedia. Sounds like a cross between Craig Pulsar and Denim tonight mind.
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Final act of the night for me are The Monday Club. Three girls, well, the drummer is a bit borderline. But the singing guitar and bass girls sure can holler. Like Polly Jane Harvey reborn as slightly younger. Nice harmony bits and the bass player was really cute.

I'm not sure what it was, but I kept glancing at my watch, wishing they'd finish so I could go home, then I realised that actually I could just go home, no need to wait.

Monday Club 04

Bands
Arthur and Martha
Monster Bobby
Monday Club
Brontosaurus Chorus

Photies
Here

Thursday, 1 November 2007

Silver Springs, Electric Assembly - The good Ship

Whilst in the chick flick Silence of The Lambs, the villain Buffalo Bill would keep fat chicks n a deep hole, whilst the hero of the piece tried valliantly to stop him from his prison cell, at The Good Ship tonight, its bands they keep in a deep hole, and despite the amplification, it sounds like it.

I'm tempted to throw small dogs at them.

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Silver Springs, drssd in bloodied surgeons outfits. Either their particular brand of reverb rock appeals to the older generation or its a friends and family gig, with mums and dads in attendance, the presence of a 10 year old confirms my suspicions.

It was Facebook what broght me here, a handful of folk I vaguely know were chalked up as coming along, but I see none of them.

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I started to warm to the Silver Springs as the set progressed, dark instrumental-ish revery flangeiness. Sometimes the vocals were a bit ropey, but there were moments of aceness.

A cover of the Ghostbusters theme near the end won me over, even when it went a bit stadium epic in places.

Eep, this mob are the second band on, I'd missed the first driving slowly and wondering what side of the street the venue was on.

The headline act are taking a while to set up and the DJ sounds like Roddy and Leo, just playing horror movie dialogue clips. I've taken a seat with the other Billy No Mates, and I watch the dressed up people.

This time last year I was dressed as Optimus Prine at a sell-out Plimptons show at the Barfly.

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Tall guitarist on stage setting up a flashing pumpkin, Raiph Fiennes indeed. Billy leans over and asks if this is the last band, Aye.

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Crikey, black hoodies and skull masks, from the photies it could even be the KLF.

They sounded a bit like Hawkwind crossed with Wintergreen. Usually, aye, but tonight it grates, so after two songs I head home, and leave it to the family.

Bands
Electric Assembly
Silver Springs