Here's 'Allo Darlin' at Indietracks 2012 on the main stage playing and awesome cover of The Just Joans's If You Don't Pull.
Aw man, I love this song so much, it just catches a feeling so familiar. A reassuring blanket on those lonely trudges home all those years ago.
Showing posts with label Allo Darlin. Show all posts
Showing posts with label Allo Darlin. Show all posts
Tuesday, 10 July 2012
Monday, 20 July 2009
Allo Darlin' - Betsey Trotwood
I arrived late and missed Lets Whisper. Lots of familiar faces in the crowd, the WeePOP massive, the Moustache of Insanity crowd, Monster Bobby.
With the rest of the band set up in the corner, Elizabeth Darling lifts her microphone stand and steps to the centre of the room.
The place is packed and its mighty warm. For once I'm in the upstairs room at the Betsey Trotwood, usually the gigs I go to are in the basement.
The first song she plays on her own, just a girl and her ukulele and the whole room falls silent.
With the rest of the band set up in the corner, Elizabeth Darling lifts her microphone stand and steps to the centre of the room.
The place is packed and its mighty warm. For once I'm in the upstairs room at the Betsey Trotwood, usually the gigs I go to are in the basement.
The first song she plays on her own, just a girl and her ukulele and the whole room falls silent.
Its happy music. Music for small rooms of quiet people listening rather than big rooms with people talking.
Ooh, I've never noticed the Just Joans namedrop in a song before.
Some of the songs are available on iTunes, I'm not sure how to link to them, but if you search for 'Allo Darlin' they're easy to find, and well worth purchasing, I did.
Thursday, 26 March 2009
HDIF presents: Allo Darlin - Jamm
Elizabeth Darling and three chaps on stage, she's stood in the middle with her ukelele and her head tilted slightly to the side as she sings.
Its a kind of breathy dreamy singing that holds the room enraptured. Friendly and smilie.
Her first song comparing a relationship to a Woody Allen movie ticks the sames boxes as usual: pop culture references, characteristic rhymes.
When the chaps on guitar, bass and percussion join in it punctuates the delicate melodies
Ooh, slide guitar.
And for the next song Monster Bobby takes to the stage. "When I wrote this song I thought it sounded just like The Field Mice, even though it sounds nothing like The Field Mice". Monster Bobby sounds like a budget Nick Cave when he sings.
I like the way Elizabeth occasionally lifts one foot off the ground when she sings.
The last song is very upbeat, it starts with drums that sound like The Strokes, its going to be released by WeePop as an orange 7" single. It has amusing falsetto backing vacals from Will the bass player.
Its a kind of breathy dreamy singing that holds the room enraptured. Friendly and smilie.
Her first song comparing a relationship to a Woody Allen movie ticks the sames boxes as usual: pop culture references, characteristic rhymes.
When the chaps on guitar, bass and percussion join in it punctuates the delicate melodies
Ooh, slide guitar.
And for the next song Monster Bobby takes to the stage. "When I wrote this song I thought it sounded just like The Field Mice, even though it sounds nothing like The Field Mice". Monster Bobby sounds like a budget Nick Cave when he sings.
I like the way Elizabeth occasionally lifts one foot off the ground when she sings.
The last song is very upbeat, it starts with drums that sound like The Strokes, its going to be released by WeePop as an orange 7" single. It has amusing falsetto backing vacals from Will the bass player.
Tuesday, 6 January 2009
Allo Darlin - Wilmington Arms
Joined tonight by a guitarist Hexicon, centre stage is the pixie Elizabeth Darling armed with ukelele.
Very stark songs, starting of with her Stephen Hawking song, science and uke, yay
Aw man, they floor us with a killer cover of the Ramones' 'I wanna be sedated' its going to be on a Atomic Beat Ramones compilation CD at some point. if you've heard Allo Darlin's version of 'you shook me all night long' you know what to expect.
There's a whole blanket soaked in warm honey load of friends and associates joining them on stage, usual percussionist Virginia, Will from the previous band, the other chap from the previous band, then some othe chap possibly from the Pipettes on vocals for the penultimate song.
Sent using BlackBerry® from Orange
Very stark songs, starting of with her Stephen Hawking song, science and uke, yay
Aw man, they floor us with a killer cover of the Ramones' 'I wanna be sedated' its going to be on a Atomic Beat Ramones compilation CD at some point. if you've heard Allo Darlin's version of 'you shook me all night long' you know what to expect.
There's a whole blanket soaked in warm honey load of friends and associates joining them on stage, usual percussionist Virginia, Will from the previous band, the other chap from the previous band, then some othe chap possibly from the Pipettes on vocals for the penultimate song.
Sent using BlackBerry® from Orange
Thursday, 31 July 2008
Last Night From Glasgow - Indietracks
By the time you read this, you might have seen the wee black and white video I put together of the festival, there's a scene a third of the way through with people playing acoustic sets on a train platform, surrounded by adoring fans. Some reports say it was spontaneous, I disagree, it was carefully calculated and planned.
Well, this is my back story to it.
Earlier in the week Lets Whisper played in London, aw man, I still haven't written up any kind of review of that show. Lets Whisper are like a two piece featuring two members of The Smittens, Colin Clary and Dana Kaplan. I broadly assumed that, well, it was just the same songs as The Smittens play, but cut down. It was nice, twee, heartwarming stuff with cheesy choruses and wide-eyed nodding at the wonders of the world.
Days later the rest of the Smittens arrived and played a show in Glasgow, The Just Joans were support and friends were in the crowd. So after the gig I was online chatting to my friend Robbie who'd been very impressed by The Smittens, chatting to them after the show, they'd heard of this website. After skipping round the room doing dances of self-validation, I returned to my computer to find Robbie talking about how Colin Clary was dancing to The Just Joans. That would be a great music legend to catch on film, and use for cynical promotion and music videos. I decided I would use the Indietracks festival to take such footage.
The last band had played on Saturday, and there was a disco in the diesel shed, Bubblegum Killer DJs were playing, the tunes were good, but I wasn't in the mood for dancing. It takes very specific atmospheric and emotional conditions for me to dance, on Saturday it wasn't happening. Just outside the diesel shed, I found Camila from WeePop chatting to folk, Lets Whisper and Allo Darlin, The Just joans are nearby too. She collars me and asks if I have my guitar with me, aye safely locked up in my car just a wee stroll away. So yeah, we're going to get Colin to play.
I'm away like the wind to pick up my guitar and arrive back at the standing around in a flash. We just need somewhere to play, somewhere quiet and away from the various discos going on. I've been here before, last year, IoMoPS, played a wee set on the platform whilst waiting for a train, I think we roped in Pete Green too, but that was last year. On this warm Saturday night, I lead a small crowd to the station platform, we ousted some young lovers sharing an intimate moment, and we set up.
I pass my guitar to Colin who tunes it, I think there's a ukelele kicking about as well, the really cute bongo player from Allo Darlin has a bag of percussiony instruments and Will Harrison is hanging about too. I quickly drift away from the musical instrument holders lest I get asked to play in front of other people.
And then it kicks off.
Its quiet, people crowd round in silence, the crowd grows, folk sit cross legged. The camera crew who've been following the Just joans all day set up and start recording, people call requests. A strict three song limit is placed on each band, so we get Lets Whisper, Allo Darlin', Will Harrison. Pete Green shuffled in and a set was demanded of him, his Doctor Beeching song about the closure of the railways, particularly appreciated by the passing train drivers.

Lurking at the back of the crowd were The Just Joans, we'd run out of musicy folk at the front of the crowd to force to play, and it was The Just Joans that people wanted to hear. They had no choice in the matter, bashful or no, people were chanting for them, demanding it.

Just three of them, Katie, David and Rowan, the singers, harmonies and guitar. Hey Boy, you're oh so sensitive, What Do We Do Now and I hear you're the man now John. And there if happened, I got my footage of Colin Clary right at the front, bobbing up and down and clapping for The Just Joans. All around are my friends, the bands I love, folk off of the internet, all enjoying, relishing this scene that we built.
I grin and skip, and marvell, absolutely brimming with joy.
I don't want to be a full time promoter or a musician or a writer. I just want to, occasionally, make these little bubbles of magic pop.
Other photies
Obo-Bobo
Favourite Dress
Sunshine Pop
Kronky
WeePop
Kersy83
Will Erskine
Well, this is my back story to it.
Earlier in the week Lets Whisper played in London, aw man, I still haven't written up any kind of review of that show. Lets Whisper are like a two piece featuring two members of The Smittens, Colin Clary and Dana Kaplan. I broadly assumed that, well, it was just the same songs as The Smittens play, but cut down. It was nice, twee, heartwarming stuff with cheesy choruses and wide-eyed nodding at the wonders of the world.
Days later the rest of the Smittens arrived and played a show in Glasgow, The Just Joans were support and friends were in the crowd. So after the gig I was online chatting to my friend Robbie who'd been very impressed by The Smittens, chatting to them after the show, they'd heard of this website. After skipping round the room doing dances of self-validation, I returned to my computer to find Robbie talking about how Colin Clary was dancing to The Just Joans. That would be a great music legend to catch on film, and use for cynical promotion and music videos. I decided I would use the Indietracks festival to take such footage.
The last band had played on Saturday, and there was a disco in the diesel shed, Bubblegum Killer DJs were playing, the tunes were good, but I wasn't in the mood for dancing. It takes very specific atmospheric and emotional conditions for me to dance, on Saturday it wasn't happening. Just outside the diesel shed, I found Camila from WeePop chatting to folk, Lets Whisper and Allo Darlin, The Just joans are nearby too. She collars me and asks if I have my guitar with me, aye safely locked up in my car just a wee stroll away. So yeah, we're going to get Colin to play.
I'm away like the wind to pick up my guitar and arrive back at the standing around in a flash. We just need somewhere to play, somewhere quiet and away from the various discos going on. I've been here before, last year, IoMoPS, played a wee set on the platform whilst waiting for a train, I think we roped in Pete Green too, but that was last year. On this warm Saturday night, I lead a small crowd to the station platform, we ousted some young lovers sharing an intimate moment, and we set up.
I pass my guitar to Colin who tunes it, I think there's a ukelele kicking about as well, the really cute bongo player from Allo Darlin has a bag of percussiony instruments and Will Harrison is hanging about too. I quickly drift away from the musical instrument holders lest I get asked to play in front of other people.
And then it kicks off.
Its quiet, people crowd round in silence, the crowd grows, folk sit cross legged. The camera crew who've been following the Just joans all day set up and start recording, people call requests. A strict three song limit is placed on each band, so we get Lets Whisper, Allo Darlin', Will Harrison. Pete Green shuffled in and a set was demanded of him, his Doctor Beeching song about the closure of the railways, particularly appreciated by the passing train drivers.
Lurking at the back of the crowd were The Just Joans, we'd run out of musicy folk at the front of the crowd to force to play, and it was The Just Joans that people wanted to hear. They had no choice in the matter, bashful or no, people were chanting for them, demanding it.
Just three of them, Katie, David and Rowan, the singers, harmonies and guitar. Hey Boy, you're oh so sensitive, What Do We Do Now and I hear you're the man now John. And there if happened, I got my footage of Colin Clary right at the front, bobbing up and down and clapping for The Just Joans. All around are my friends, the bands I love, folk off of the internet, all enjoying, relishing this scene that we built.
I grin and skip, and marvell, absolutely brimming with joy.
I don't want to be a full time promoter or a musician or a writer. I just want to, occasionally, make these little bubbles of magic pop.
Other photies
Obo-Bobo
Favourite Dress
Sunshine Pop
Kronky
WeePop
Kersy83
Will Erskine
Labels:
Allo Darlin,
Indietracks,
Let's Whisper,
Pete Green,
Saturday,
The Just Joans,
Will Harrison
Friday, 18 July 2008
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